Aria Dean
Untitled (Helmet I), 2026

Charcoal and marker on paper

11 3/4 x 8 3/8 inches (29.85 x 21.27 cm)

Courtesy the artist and Greene Naftali, New York

Aria Dean (b. 1993) lives and works in New York. Recent solo, two-person exhibitions, and performances include a presentation of The Color Scheme at Haus der Kulturen der Welt, Berlin (2026); Performa Biennial, New York (2025); the Institute of Contemporary Arts, London (2024); The Power Plant, Toronto (2023); The Renaissance Society, Chicago (2023); Greene Naftali, New York (2023, 2021); Progetto, Lecce, Italy (2023); CAPC, Bordeaux (2023); REDCAT, Los Angeles (2021); Artists Space, New York (2020); Centre d’Art Contemporain Genève, Geneva (2019); and the Albright-Knox Art Gallery, Buffalo, New York (2018). Significant group shows include the Whitney Biennial: Quiet As It’s Kept (2022); the Hammer Museum’s biennial Made in L.A. 2020: a version, Los Angeles (2021); the Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2019); The MAC, Belfast, Northern Ireland (2019); Tai Kwun, Hong Kong (2019); Schinkel Pavillon, Berlin (2018); Swiss Institute, New York (2018); and the de Young Museum, San Francisco (2017), among others.

Her writing has appeared in publications including Artforum, Art in America, e-flux, The New Inquiry, X-TRA Contemporary Art Quarterly, Spike Quarterly, Kaleidoscope Magazine, Texte zur Kunst, CURA Magazine, and November. A volume of her collected writings, Bad Infinity, was published by Sternberg Press in 2023. Dean’s work is in the collection of the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles; the De Pont Museum of Contemporary Art, Tilburg, Netherlands; Hammer Museum, Los Angeles; Hessel Museum of Art, Annandale-on-Hudson, New York; Magasin III, Stockholm; Los Angeles County Museum of Art, Los Angeles; The Studio Museum in Harlem, New York; and the Whitney Museum of American Art, New York.