Alex Kwartler
Reply 2, 2026
Can on paper
5 1/2 x 8 1/4 inches (13.97 x 20.96 cm)
Courtesy of The artist
Selected by The Drawing Center
The tuna can is built into our daily lives as something dependable, practically eternal—an icon of the day-to-day, something you can never imagine not having been there nor ever going away. The temporal suspension that the routine inhabits is where Kwartler’s imaginary dwells, sinking into both a sense of monotony and an appreciation of ongoingness that paradoxically suggests a life without end, preserved by habit (or ritual, if you prefer), one that exists in a Bergsonian durée. If time can ever stretch into something that defies death, it’s in the moments when we’re opening a can of Chicken of the Sea. D.A.
Alex Kwartler received his MFA from Rutgers University, New Brunswick, NJ and his BFA from The Cooper Union, New York, NY. Kwartler has mounted four solo exhibitions at Magenta Plains. He has exhibited his work at The Green Gallery, Milwaukee, WI; 47 Canal, New York, NY; Parapet Real Humans, St. Louis, MO, MoMA PS 1 Contemporary Art Center, New York, NY; Mana Contemporary, Jersey City, NJ; White Columns, New York, NY; Bortolami Gallery, New York, NY; Mitchell-Innes & Nash, New York, NY; Martos Gallery, New York, NY; Petzel Gallery, New York, NY; and Wallspace, New York, NY. His exhibitions have been reviewed in The New York Times, The New Yorker, Frieze, Artforum and Art in America. Kwartler’s paintings were featured in “Painting Abstraction” edited by Bob Nickas and published by Phaidon Press. Kwartler was artist-in-residence at The Chinati Foundation in Marfa, TX in Spring 2017. The artist lives and works in New York, NY.